nature journal

Seeing the Unseen: Cut-a-way Views

During our recent Sonoran Desert Field Arts Bootcamp in Aravaipa Canyon, I watched artist Patricia Larenas draw a beautiful landscapito in her journal and turn it into an interactive feature by overlaying a door that the viewer opens to reveal the landscape.

Magic! I immediately thought of many other ways to incorporate cut-a-way panels: day sky / night sky; tree trunk / woodpecker hole-nest; creek or ocean surface / underwater life; gopher or ant mount / underground chambers; snow surface / animal tunnels or stream . . . it’s really endless, the only limit your imagination.

The technique and tools are pretty simple, too. In my field bag I keep a plastic-handled scalpel with cover (or search for “bread lame tool”), a small vial of PVA glue (= Elmer’s glue), and a small glue-spreading brush (from the bookmaking arts).

Create your “top” or “visible” view first, keeping in mind any space you need to leave for what you envision for the “underside” or “unseen” view, which you complete on the next page. Eyeball marker points to align the scenes up and pencil them in so you stay within scale and match features.

When finished with both drawings, lightly sketch with pencil the door/s you want to open, and also mark the hinges (the uncut part) so you don’t get over-enthusiastic and cut through them.

Once you triple-check the door placement and cut lines, place a piece of thin cardboard (such as from a cereal box; I keep a 9x6 piece in the back of my journal) between the pages, and use the scalpel to cut your door/s.

Finally, spread a thin layer of PVA glue on the back of the first page and carefully press to the second page, aligning the corners and smoothing everything flat. Let dry. Then I cover the cut-a-way part with a sheet of paper and lightly spritz the back side of the doors with water, close them, and then place my Perspex Palette on top of that, and a weight on top of the palette and let dry. This helps ensure the door lays flat again.

I would love to see your results if you try creating cut-a-ways for the “unseen” views!

Turn on the sound for soothing creek burbling and bird calls.

A virtual tour of my England journal pages

Sketching and painting live at Wasdale Head, Lake District, where I hosted my first virtual field trip in 2020! See the workshop HERE!

My husband, Jonathan, and I spent a month in England recently, covering 1500 miles, from the Edgcumbe peninsula near Plymouth to the Lake District, and from Wales to Norwich!

We taught classes and gave presentations at the Armchair Adventure Festival, went birding with a friend in North Devon, explored Hereford and Hay on Wye, and then visited our overlanding publishing partner in Hitchin.

To top it off we also attended the initial print proofs for the European versions of my two books, Nature Journaling for a Wild Life and Master of Field Arts! (Both also available in the USA from my own Shop.)

These two books will soon be available in the UK, Europe and beyond—even Australia—through the highly respected natural history book and supplies retailer NHBS.com.

BONUS ALERT! They are taking pre-order now, and the first 15 customers will get FREE attendance at a 2023 Journaling Jumpstart workshop ($65 value).

Below is a video tour of all my journal pages. I hope you enjoy them as much as I enjoyed creating them! [Hint: click the “Full Screen” symbol on the video to open larger; it’s the square at the far right, bottom.]

Field Arts Overland Journey — 3,584 miles and 50 journal pages

From the little cabin along the Yellowstone River, near Greycliff, Montana.

Just home from a month of overland travel teaching my Wyoming Field Arts Bootcamp and at the Northern Rockies Nature Journaling Conference in Montana. It was truly a blessing to spend so much time exploring new habitats, meeting and teaching so many wonderful people, weathering some intense storms (including a tree falling on my camp!), and recording my discoveries in my journal. Fifty pages' worth!

- 7 states

- 3,585.4 miles

- 15 days of camping (in 10 locations, nearly all by rivers!)

- 27 days

- 50 journal pages!

Photo courtesy Mary Jo Watters, Wyoming Field Arts Bootcamp July 2022

Finished demonstrations showing “regular” landscape view and an “imagined” cut-a-way view showing the water and creek bottom (and fish!).